Monday, May 29, 2017

Free Download Constantin Brancusi (Critical Lives)By Sanda Miller

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Constantin Brancusi (Critical Lives)By Sanda Miller

Constantin Brancusi (Critical Lives)By Sanda Miller


Constantin Brancusi (Critical Lives)By Sanda Miller


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Constantin Brancusi (Critical Lives)By Sanda Miller

Acknowledged as one of the major sculptors and avant-garde artists of the twentieth century, Constantin Brancusi (1876-1957) also remained one of the most elusive. His mysterious nature was not only due to his upbringing in Romania – which, at the time, was still regarded by much of Europe as a backward country haunted by vampires and werewolves – but also because Brancusi was aware that myth and an ‘aura of otherness’ appealed to the public. This self-mythology is embodied in his white atelier in Montparnasse, Paris.In Constantin Brancusi Sanda Miller looks beyond the mythology of the artist to show us Constantin the Romanian student, as well as Brancusi the celebrated artist. Using new material, including private correspondence from Brancusi’s archive in Paris, works from Romania, and Brancusi’s own photos of his studio, the author weaves together and interprets a wealth of information, bringing to life his early years in Romania, his move to Paris and his years at his studio. She relates how his art scandalized the Paris salon, yet at the same time explores how his work connects with the folk art of his homeland. She also provides colourful evocations of Brancusi’s relationships with colleagues, dealers, friends and lovers.An innovative reassessment of Brancusi’s life and work, Sanda Miller’s perceptive book allows Brancusi to take his rightful place among the most important of the intellectual personalities who shaped twentieth-century modernism.

  • Amazon Sales Rank: #853387 in eBooks
  • Published on: 2012-05-26
  • Released on: 2012-05-26
  • Format: Kindle eBook

Review 'Sanda Miller has been working on Constantin Brancusi since the 1970s, and her latest contribution to the literature on one of the twentieth-century's greatest sculptors is a detailed and well-researched biography. A new body of archival material became available to Brancusi scholars in 2001 ... Such major gifts to art historians require careful unpacking, and Miller has done an excellent job of digging deeply and thoroughly into hundreds of documents and photographs. The resultant book is centred on primary source material, dispelling long-held myths surrounding Brancusi and attaining perhaps as authentic a portrayal of his life and work as will ever be possible.' - Slavonic and East European Review

From the Back Cover Sanda Miller is the first Western European historian to have subjected Brancusi to exhaustive analysis: being Romanian by birth, she has a full knowledge of the literature and is able to bring to bear Romanian memoirs, literary texts, histories, and recent scholarship with confidence and to make a new range of knowledge accessible to western readers. The material on Brancusi's childhood and training both as a craftsman and fine artist at the School of Arts and Crafts in Craiova and the Academy of Fine Arts in Bucharest respectively, provides a new basis for the assessment of his work, after as well as before his arrival in Paris. Brancusi is accepted as a major figure in histories of twentieth-century sculpture. Where the problems of sculpture, craft and materials, of formalism and the avant-garde or of 'primitivism' in modernism are concerned, he will remain a major figure to be discussed. This is a substantial contribution to knowledge about Brancusi and his work which includes many illustrations never previously published.

About the Author

Sanda Miller is a senior lecturer in fashion writing and culture at Southampton Solent University.  Her previous books include Constantin Brancusi: A Survey of His Work and The Dark Night of the Soul: Ana Maria Pacheco.

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Friday, May 19, 2017

PDF Download Sunset BabyBy Dominique Morisseau

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Sunset BabyBy Dominique Morisseau

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Sunset BabyBy Dominique Morisseau

Kenyatta Shakur is alone. His wife has died, andnow, this one time Black Revolutionary and politicalprisoner, is desperate to reconnect with his estrangeddaughter Nina. If Kenyatta truly wants to reconcilehis past, he must first conquer his most challengingrevolution of all – fatherhood.

  • Sales Rank: #984556 in eBooks
  • Published on: 2012-09-07
  • Released on: 2012-09-07
  • Format: Kindle eBook

Review
"Smart, entertaining and moving as it grapples with the tensions between past and present… while asking penetrating questions about the nature of liberation… Morisseau's script, sings with intelligence." – Guardian

"[A] well-crafted tale of a former Black Power revolutionary struggling to cope with the fallout from the dream… Morisseau offers a soulful elegy for a movement" – Time Out (London)

"Capable of capturing the rhythm and demotic speech of the street, Morisseau is an obvious talent with a flair for the incendiary monologue" – The Stage

About the Author
Dominique Morisseau is a playwright and actress. Her literary work has taken many forms and she was featured in the New York Times best-selling short-story collection, Chicken Soup for the African American Soul. Dominique is a Chambers Playwriting Award Honoree and The Lark's 2012-13 PONY Fellow.

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Monday, May 8, 2017

Ebook Download One Hundred Years of Solitude, by Gabriel Garcia Marquez

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One Hundred Years of Solitude, by Gabriel Garcia Marquez

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One Hundred Years of Solitude, by Gabriel Garcia Marquez


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One Hundred Years of Solitude, by Gabriel Garcia Marquez

Review

“More lucidity, wit, wisdom, and poetry than is expected from 100 years of novelists, let alone one man.” (Washington Post Book World)“The first piece of literature since the Book of Genesis that should be required reading for the entire human race.” (William Kennedy, New York Times Book Review)

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From the Back Cover

One of the most influential literary works of our time, One Hundred Years of Solitude is a dazzling and original achievement by the masterful Gabriel García Márquez, winner of the Nobel Prize for Literature.One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.

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Product details

Paperback: 448 pages

Publisher: Harper Perennial Modern Classics; Translation edition (May 30, 2006)

Language: English

ISBN-10: 006112009X

ISBN-13: 978-0061120091

Product Dimensions:

5.5 x 1.1 x 8.2 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

1,408 customer reviews

Amazon Best Sellers Rank:

#87,381 in Books (See Top 100 in Books)

One Hundred Years of Solitude really isn't as difficult or confusing as some reviews make it seem. People make it seem like it's impossible to get through so many repeating names, but even when the characters share a name, almost every single character (until the last generation--and by that point the first characters are long gone so that it wasn't really confusing) has a unique name. How is that confusing? And anyway, it doesn't take too many chapters or a genius to figure out they all share the same names for a reason. Also, I must say, if you don't like the first 50-100 pages, you probably aren't going to like the rest of the book. It stays like that... Plus, the first Jose Arcadio Buendia is one of the more entertaining characters in the book, in my opinion. But, I think Aureliano Segundo and Remedios The Beauty were the highlights in this book. I was cracking up throughout their scenes.Although I feel I missed a lot about what was going on symbolically whilst reading (mostly a lot of the religious stuff), I still found this book to be extremely enjoyable. It's inspiring and surreal, whimsical, funny and sad--and it all causes a person to feel very introspective, because it blends so many aspects of what makes up a person's life. I looked up some of the themes and motifs after reading to make sure I caught everything, and I prefer many of my own interpretations. And I think Gabriel Garcia Marquez meant to write it in a way that was a more personal experience. At the end notes, he mentions in an interview how he wanted to capture the way an abuela tells stories to her grandchildren-- and I got that vibe the whole time. And a lot of times, the surreal in crazy old latin american stories is what makes you remember the life lessons behind the story. And I feel like that's what happened here.But again, I feel like most people I know wouldn't like this book, and I can see where they're coming from. It definitely isn't for everyone. And I must stress that that's not coming from a pretentious place. His writing style will be frustrating to many readers I'd presume, because it's really just incredibly unique. But, if you can get past the style (long paragraphs, little fluctuation in narration, mentioning things that haven't really happened yet, or no main protagonist... etc) and the repetition of names, it really isn't super complicated or anything.It isn't perfect, but It's great. And even though I started this review planning to give it four stars, after writing it--I think it's an important enough, and intricately weaved enough, and a unique enough a piece to warrant a 5-star from this fella.

this is a stunning work, with a translation that is worthy of the author. i was an english teacher and a colleague had dual citizenship with colombia and she read both versions of this work and couldn't decide between the two. i've only read the english translation, but even the translation puts it in the top tier of all the novels i've read. that's good news and bad news maybe. that means that the work is easily available to english-speakers, but that doesn't make it any easier to read as a work of literature. my guess is that it can be read on several levels at once, but i've never talked to anyone about the novel who wasn't a lit major. this work is so different and so interesting, you should try reading it no matter what your school experience with literature has been.

Confusing? Lengthy? Lot’s of characters, all with practically the same name? Yes, but all for an intended purpose. I picked up this book for an AP Lit project and browsed through some of the reviews to see just what I was about to read. There were plenty of “oh, this is so confusing” and “there are just too many of the same names” reviews. But there were also the reviews that focused on the enriching side of the book. The side that people often overlook. So I figured I would give it a try. It is not a book I would normally have picked up, but it soon surprised me. I remember flipping to the first page and reading the very first line of the book: “Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.” Already I was drawn in. There was so much going on in that first line, the rest of the book just had to be interesting too. And it didn’t fail. The book goes through generations of families as they tell their story over time. There is no set protagonist, which bothered me at first, but then I became comfortable with it as I continued reading. Throughout the book you discover your favorite characters with their quirky personalities. The Buendia family is full of weird adventures and mystical encounters. From the gypsies to the invention of ice, the book jumps around from sentence to sentence illustrating the personality of this family simply in syntax. There is love, civil war, death, magic, and redemption in it’s many pages. Many reviews had issues with the numerous similar names and found the book simply confusing. But if you were reading the book with a close eye, you realize that it was all for a reason. It was written almost “as if the world were repeating itself.” And as you struggle to read, “time put things in their place.” Yes, these are quotes from the book itself and are so direct to the theme and overall meaning that they seem to be overlooked. The book’s confusing almost repetitive nature was to illustrate a grand motif. The circular motif. How everything comes around in time. That fate is such a huge force in everything that happens. Overall, I would give this book 4 stars. That seems low for all the good things I had to say about it, but in the end I rate it lower than 5 stars simply because I struggled to relate with it. It was so different from the books I normally read that it became hard to really be drawn into it. I did love however the circle motif and how everything wraps up just as it should. Sure, all of the crazy adventures and writing style was interesting and unique, but it didn’t capture me personally as well as it may have captured someone else. If I were to read this again (or another book by Marquez), however, I believe that I would feel more comfortable with the writing style and mystic side of the culture and I would relate to it better. I would suggest this book to someone who wants to try and read something different from a lot of other “mainstream” books out there.

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