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Searching for Jane AustenBy Emily Auerbach
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Searching for Jane Austen demolishes with wit and vivacity the often-held view of "Jane," a decorous maiden aunt writing her small drawing-room stories of teas and balls. Emily Auerbach presents a different Jane Austen—a brilliant writer who, despite the obstacles facing women of her time, worked seriously on improving her craft and became one of the world’s greatest novelists, a master of wit, irony, and character development.
In this beautifully illustrated and lively work, Auerbach surveys two centuries of editing, censoring, and distorting Austen’s life and writings. Auerbach samples Austen’s flamboyant, risqué adolescent works featuring heroines who get drunk, lie, steal, raise armies, and throw rivals out of windows. She demonstrates that Austen constantly tested and improved her skills by setting herself a new challenge in each of her six novels.
In addition, Auerbach considers Austen’s final irreverent writings, discusses her tragic death at the age of forty-one, and ferrets out ridiculous modern adaptations and illustrations, including ads, cartoons, book jackets, newspaper articles, plays, and films from our own time. An appendix reprints a ground-breaking article that introduced Mark Twain’s "Jane Austen," an unfinished and unforgettable essay in which Twain and Austen enter into mortal combat.
- Sales Rank: #2321888 in Books
- Published on: 2006-01-24
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.00" l, 1.05 pounds
- Binding: Paperback
- 358 pages
From Publishers Weekly
Many of Austen's detractors, and even quite a few of her fans, regard "Jane" as a dull homebody who wrote light, fluffy books for girls. "This attitude must end," Auerbach fumes as she tries to "strip off [the] ruffles and ringlets" that have shaped the author's public image. The Austen sketched here is an ambitious novelist, confident in her superior talent, with a subversive and biting sense of humor. Close readings of the novels, as well as the often ignored "juvenilia," reveal a rich literary sensibility dense with allusion—if you haven't read Austen already, the microscopic attention to detail here will make you pick up her books. Auerbach's scholarly background in 19th-century literature (she's a professor of English at University of Wisconsin–Madison) serves her well in this analysis, but her revisionist approach is most engaging when it wrestles with her subject's public image. She demonstrates how Austen's own family whitewashed that image by suppressing much of her correspondence, and riffs through an assortment of modern portrayals that bear little resemblance to the woman Auerbach uncovers. Like Austen's, Auerbach's humor can be sly. Subtly questioning Mark Twain's professed hatred of Austen, she imagines the pair as Bogart and Hepburn in The African Queen. Readers who enjoyed the novel The Jane Austen Book Club will find similar pleasures here, though the high price may prove an obstacle. B&w illus.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The maiden aunt at the tea table is the idea many readers have of Jane Austen, an idea promulgated by her own family and perpetuated by Jane Austen societies and film representations of her novels. Auerbach, professor of English at University of Wisconsin-Madison, aims to show that the cozy domestic image is belied by Austen's own writings, beginning with her juvenilia. This "search" for Jane Austen finds the playfulness and irreverence of her early writings present, to varying degrees, in all of the novels, but also finds a daring and powerful artist polishing her craft. Novel by novel, Auerbach overturns patronizing concepts about Austen's tiny canvas and limited view. It can be difficult to get past the lace cap and tea cosy and appreciate how deeply Austen penetrated the social fabric that seems so charming to the modern reader. This book probably won't appeal to fans who are content with the charm, but has much to offer those who want to explore Austen's art more fully. Mary Ellen Quinn
Copyright © American Library Association. All rights reserved
Review
“Scholarly efforts at clarification of Austen's political sympathies are sometimes accompanied by efforts at reconstruction not of Austen but of her readers, as where Auerbach's stated purpose is to dispel popular notions of Austen as limited and priggish, and to redress ‘two centuries of putdowns and touch-ups.’ Though one would have thought these notions had long since been outmoded, she shows that, surprisingly enough, they persist, not only among readers of the recent past but in present-day students and readers as well, perhaps even, judging from her apologetics, Auerbach herself. . . . Her detailed knowledge of Austen's sources does give us a more complete impression of Austen's wide and eclectic interests.”—New York Review of Books
"This 'search' for Jane Austen finds the playfulness and irreverence of her early writings present, to varying degrees, in all of the novels, but also finds a daring and powerful artist polishing her craft. Novel by novel, Auerbach overturns patronizing concepts about Austen's tiny canvas and limited view."—Booklist
"Emily Auerbach's approach to Jane Austen is lively, engaging, and thoroughly modern. Like Austen, Auerbach wears her wide learning lightly, and imparts a great deal of information in a most enjoyable manner. A witty, approachable introduction to Jane Austen for today's readers, using modern analytical techniques to reveal new aspects of a great writer."—Margaret Drabble, editor of the Oxford Companion to English Literature
“Any fan of Austen will find Searching... an invaluable and most refreshing companion to the novels.”—Isthmus
"Emily Auerbach writes with grace and elegance, and her prose is a pleasure to read." —Juliet McMaster, author of Jane Austen the Novelist and Jane Austen in Love
"Searching for Jane Austen is innovative, indeed revolutionary, in the best sense of the word, and will take its place as a major study of Jane Austen’s work."—Joseph Wiesenfarth, author of Gothic Manners and the Classic English Novel
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